- Preparing for War and Peace in Post-9/11 America
- Book review: ‘No Man’s Land: Preparing for War and Peace in Post-9/11 America’
- No Man's Land: Preparing for War and Peace in Post-9/11 America by Elizabeth D. Samet
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Loading Excerpt LC Subjects. Homecoming -- United States. United States -- History, Military -- Social aspects -- 21st century.
Preparing for War and Peace in Post-9/11 America
Veterans -- United States -- Psychology. War and literature -- United States. More Details. Similar Series From NoveList. Similar Titles From NoveList. Similar Authors From NoveList. Borrower Reviews. Editorial Reviews. Published Reviews. Reviews from GoodReads. Loading GoodReads Reviews. Citation formats are based on standards as of July Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Staff View. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the U.
Drawing on an eclectic range of visual, installation, and per- formance works, Kapadia reveals queer feminist decolonial critiques of the U. By looking at the ways diasporic communities interfere with sovereign and statist logics that conserve the knowledge of loss for the national community alone, this exquisitely written book powerfully argues for the insurgent abilities of culture to interrupt, deform, and repopulate our felt and known worlds in ways that force a reckoning and connection with the racialized death and detritus that U.
In Bomb Children Leah Zani offers a perceptive analysis of the long-term, often subtle, and unintended effects of massive air warfare. Zani presents her ethnography alongside poetry written in the field, crafting a startlingly beautiful analysis of state terror, authoritarian revival, rapid development, and ecological contamination. In so doing, she proposes that postwar zones are their own cultural and area studies, offer-ing new ways to understand the parallel relationship between ongoing war violence and postwar revival.
You can read the devastating, exquisitely compelling introduction pdf here. Jairus Victor Grove contends that we live in a world made by war.kfc family deals in rawalpindi
Book review: ‘No Man’s Land: Preparing for War and Peace in Post-9/11 America’
In Savage Ecology he offers an ecological theory of geopolitics that argues that contemporary global crises are better understood when considered within the larger history of international politics. Infusing international relations with the theoretical interventions of fields ranging from new materialism to political theory, Grove shows how political violence is the principal force behind climate change, mass extinction, slavery, genocide, extractive capitalism, and other catastrophes.
Grove analyzes a variety of subjects—from improvised explosive devices and drones to artificial intelligence and brain science—to outline how geopolitics is the violent pursuit of a way of living that comes at the expense of others. Pointing out that much of the damage being done to the earth and its inhabitants stems from colonialism, Grove suggests that the Anthropocene may be better described by the term Eurocene.
No Man's Land: Preparing for War and Peace in Post-9/11 America by Elizabeth D. Samet
You can read the introduction pdf here, and here is the Table of Contents:. Part I.
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The Great Homogenization 1. The Anthropocene as a Geopolitical Fact 2. War as a Form of Life 3. Operational Spaces 4. Bombs: An Insurgency of Things 5. Blood: Vital Logistics 6. Must We Persist to Continue? Apocalypse as a Theory of Change 9. Grove is a philosopher with a hammer, writer with a stiletto, and artist with a spray can.
Finally, we have to wait until December for a mammoth reader on Militarization , edited by Roberto J. No word on the contents just yet. Drones have now become commercial and readily available, with innovators promising unprecedented solutions to sectors as wide ranging as agriculture, energy, public safety, and construction. Combining surveillance with targeting, satellite imaging with ground-level intelligence, human observation with algorithmic apparatuses, drones have catalysed new ways of making and experiencing war.
This international two-day conference explores the issues surrounding drone warfare through the prism of aesthetics: aesthetics understood as art, and as the relationship between the body, the self, and the material environment. How does drone warfare extend and augment the human sensorium? How have writers and artists engaged in new forms or genres to address drone warfare? What is the role of the human in future war?
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What opportunities and challenges does information-based warfare pose for human rights and peace work? Approaches from all fields are welcome, including literature, history, geography, philosophy, political science, and visual art. Proposals are invited for minute presentations or for three-paper panels. Topics could include but are not restricted to the following:.
Literature and the arts which thematise or feature drone technology and drone warfare The history and pre-histories of drone warfare, such as aerial bombardment The relationship between war, technological innovation, and the entertainment industries Narratives of robotics, artificial intelligence, and information-based warfare The relationship between peace, surveillance, pre-emption, and human rights Drones, drone warfare, and social media Posthuman warfare.
Please send word individual paper proposals, or word proposals for fully formed panels, along with short biographies, to Beryl Pong at artofdronewarfare gmail. If you are interested in participating in the workshop, please indicate this in your application. From the Nazi theft of art and the bombing of Coventry Cathedral to the destruction by ISIS of objects from Mosul Museum in Iraq, war devastates lives, kills people and destroys the cultural heritage that they hoped would outlive them.
Sometimes destruction is accidental, but often our cherished places, objects and stories are deliberately targeted in conflict. What Remains , our new exhibition at IWM London, in partnership with Historic England, explores why cultural heritage is attacked during war and the ways we save, protect and restore what is targeted.
Destroying cultural heritage often strikes at the heart of our communities. Their minds will push at the confines of military discipline and guide them as they seek their way along their arduous paths. Samet has dedicated No Man's Land to two of her former students who were killed in Afghanistan. They had no chance to complete their odysseys, but Samet's splendidly written and intensely provocative book is an appropriate memorial to them and the thousands like them. Philip Seib is a vice dean and professor at the University of Southern California.
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